Urban Jungle

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“I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.”― Truman Capote

In the UK the long weekend is rapidly approaching and with it the desire escape, the need to run away somewhere wild and alive and ever-changing. For three days at least. And on that front, there really can be no place better than New York. A thriving metropolis flourishing across the Atlantic, it calls to the brave and curious, those with a love of art, history, shopping and all that excites. Land of bagels, subways, Grand Central and the high line, you arrive in search of brownstone, cupcakes and Scorsese and leave with an appreciation of hot dogs and Bethesda. Here's to Big Apple dreaming (and the Brooklyn Bridge of course).

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“One belongs to New York instantly, one belongs to it as much in five minutes as in five years.” ― Tom Wolfe

Saara Karppinen

Saara Karppinen

The best thing about launching a travel magazine about place and people is that you cross paths with some immensely talented individuals with passions for paint, the unexpected and the world. London-based Saara Karppinen is one such person. We fell in love with her whimsical creations, all of which have a dream-like element and a distinct fondness for colour and material, meaning she was the perfect illustrator for our Scotland edition. We had a chat with the creative lass about her work, training and the joys of travel.

Saara Karppinen

Can you tell us a little about your training and artistic background?

I studied illustration at Camberwell College of Arts, where I learnt that the most important thing is to enjoy your work, and to always keep experimenting. It seems like a simple lesson, but it can be easy to forget. During university I did a lot of printmaking, mostly stone lithography. Though I’m not working with these techniques at the moment, they helped me to learn a lot about colors, how to build texture, and most importantly, patience.

How would you define your style?

I think everyone has their own natural style, and there isn’t really a need to ‘name’ it as such. Of course there are influences, but what I mean is that I’d rather focus on doing the work then analyzing what I’m going to call it afterwards.

What inspires your work?

I listen to a lot of podcasts, like Lea Thau’s Strangers, which is basically people telling stories about their lives. I’m interested by stories about people, but in my work I like to focus on a single moment. When I work, I imagine I’m painting the scene from the middle of a story, where you won’t know the beginning or the end, but you can get a sense of an atmosphere. So often, I will invent a story to go along with what I’m painting.

What do you love about your job?

Sometimes I can watch Buffy in the background while I work.

5) There is a certain innocence to your work - is this intentional and where does this come from?

I would say this is intentionally unintentional. I paint by what I call ‘working backwards’, which is painting on acetate so that the final image is the reverse of what I am looking at when I paint. In a sense, I keep myself in the dark from the final image, so that there are qualities that I can’t control. Sometimes I paint really small so that when I blow up the image the proportions are slightly odd and you can see all the fine brushstrokes and scratches. I try and work in a way where I am constantly surprised and allow ‘accidents’ to happen. I want my work to feel playful and a bit dynamic, which I guess is a kind of innocence.

Does travel influence your work in any way?

I grew up in five different countries, so I think it would be hard to sort out the start of the influence of ‘travel’ in any tangible way, but I’m sure it’s there. I’m interested in the natural curiosity people have when they travel, that kind of gentle wondering around and appreciating everything in a different way than you would in your own neighborhood. I have a lot of paintings of people and dogs just wondering around, which I suppose captures a bit of this sense.

Has there been a project (past, present or future) that you’ve particularly enjoyed?

I wrote and illustrated a comic for a competition which was supposed to be on the theme of ‘polar night’, but I got a bit carried away and it ended up being about some kind of space purgatory with dogs and 80’s starlets. Needless to say, the competition didn’t go so well, but I had so much fun with it. I think it was the first time I really worked with a long narrative, and I couldn’t really contain my enthusiasm.

What advice do you have for aspiring illustrators?

I spent a whole year trying to figure out what I thought ‘illustration’ is, and trying to adapt my work to suit this - whatever you do, don’t do this! The most important thing is that you enjoy your work, then other people will too. There isn’t much point in making work that you think is boring, because it will be so boring. And you don’t want to get stuck doing that.

Saara Karppinen

Saara Karppinen

Saara Karppinen

Saara Karppinen

Saara Karppinen

Scotland

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For the past few months we have been braving the elements and the dwindling daylight to explore Scotland, a wonderful country that's impossibly ancient, achingly beautiful and humbling in every possible way. A fickle friend when it comes to the weather and brimming with locals who take the notion of friendliness to a whole new level, it has been such a delight to get to know this place and its people. Below are just a few of the photos we've captured during our travels. For the complete set, the accompanying words, and a few illustrations you're going to have to wait until March when issue 2 of Lodestars Anthology is set to hit newsstands. Until then, enjoy the snaps, and, you know, invest in a shiny new copy of issue 1, all about glorious England.

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Tour Mont Blanc

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Tour Mont Blanc

Passing through Italy, France and Switzerland and circling the mighty peak that is Mont Blanc, the aptly named Tour Mont Blanc is one of the world's great walks. Passing scenes capable of inducing wobbly knees, a mix alpine cottages, glacial remains, snow capped mountains and valleys that stretch into eternity, the walk, which takes a week to complete, is for those predisposed to wanderlust. Aided by a mule called Coco and fuelled by a diet of bread and cheese (the wine would prove too heavy to carry), my own venture around the mountain has been etched into my memory - the thick forests, mirror-like lakes and towns abandoned by time are not something you ever really forget.

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Cornwall

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In honour of the arrival of issue 1 (our baby is finally here), we thought it just right to share some of the blue sky pictures of Cornwall we captured while visiting earlier in the year. To read about our epic road trip around the Cornish Coast be sure to grab a copy of the mag (available here), for now, please bask in the Cornish brilliance. There’s a lot to love in the West Country. Cornwall

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Antarctica

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some ice-covered corners of the world know how to get under your skin. Expansive and wild, Antarctica is a place where nothing exists but the moment. The rest of the world falls away and the urge to play Attenborough is un-suppressible. You’re guaranteed close encounters of the whale kind, a silence that’s only broken by calving glaciers and constant summer sunlight. Bliss really. Some Antarctic days are pure magic. Clear and calm, you’ll wake to an endless sky and mirror-like sea. Yet overcast days are not without their eerie charm. Low clouds and brooding skies have a remarkable ability to turn icebergs the most fluorescent shade of turquoise imaginable and prove that nowhere does desolation quite like Antarctica.

Uniquely stunning and a fickle friend (just ask Scott or Shackleton), this is a land where mountains move, history is defined by the brave and bizarre and you become besotted with the animals who call the world’s last true wilderness home. And the price of admission? Well, that’s surviving the Drake.

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Sail Away

Antarctica is reached by travelling to the end of the world, otherwise known as Ushuaia at the tip of Argentina, and sailing for two days through the Drake Passage; the planet’s most turbulent body of water. While the dreaded mal de mer isn’t the ideal way to start or end a holiday it’s all part of the experience… I suppose. There are ways of dealing with this crossing. Firstly, avoid whistling, it’ll only call up the wind. Secondly, don’t bring a banana on board, unless you wish to rattle a superstitious crew. Thirdly, don’t shoot an albatross. And most importantly, pick a good ship.

I sailed on the Polar Pioneer. Homely rather than luxurious, this ice-strengthened vessel is Australian run but crewed by 22 Russians who remain onboard for a year. Once you learn that it began its life with a brief stint as a Cold War spy ship and the crew occasionally smokes their fish in the engine room, falling in love with this trusty vessel is inevitable.

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Animal Encounters

Exceeding every expectation, Antarctica’s fearless wildlife has character aplenty. Stone-stealing Gentoo penguins (they’ve worked out that ‘borrowing’ stones from neighbouring nests is the easiest way to build their own) and wide-eyed Adelies make up for their lack of grace with loving determination. Creating ‘penguin highways’ in the snow that link their impossibly out of the way rookeries to the sea, these little guys waddle with purpose. All they want to do is belly flop into the water, despite an in-built fear of Leopard seals, to find food for their hungry, fluff covered chicks.

While penguin parental dedication is adorable, all sense of human normalcy is lost when a whale appears. Finding a humpback mother and calf sleeping on the surface of the water (rather appropriately termed logging) and watching as they wake, dive and re-emerge, barnacles and all, an arms length from your tiny zodiac is not an experience you quickly forget.

Although human visitors must stay at least five meters from all wildlife, no such rule applies to the wildlife itself. So, while you sit on a rocky beach, a safe five meters from a sun seeking Weddell seal, the only animal less graceful on land than a penguin, it won’t be long before a skua is nibbling your gumboot.

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Temporary Visitors

Apart from the National Geographic Explorer, the only signs of human life are vibrantly painted research huts. Mixing nostalgia and wonder, historic sites like the British Port Lockroy must be seen to be believed. Set up during WWII to listen to German Navy radio signals, the station now studies the effects of tourism on penguins. The only problem is that penguins don’t quite understand the idea of a scientific control area, even if it’s roped off, or that they themselves might be the control. All four Port Lockroy residents rely on visiting ships for fresh supplies and showers and run a small museum and post office – when not counting penguin chicks. Anything mailed from here takes at least two months to reach its final destination; ferried to the Falkland Islands, flown to England and then braving the UK postal system.

Argentina’s Brown Station is equally fascinating. It’s unmanned due to a lack of funding and the fact that a previous resident chose to burn down a large part of it rather than spend another year alone on the ice. Bright orange and perfectly preserved, fire damage aside, it sits at the bottom of a huge, snow covered mountain. From the top you can take in the most photogenic panorama around - ice floes and rolling white icebergs – and brave the ultimate bum slide down (i.e. tobogganing without the aid of a toboggan).

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Oh So Small

Antarctica is stunningly otherworldly. Even the safe havens along the Peninsula have names borrowed from fairy tales - Neptune’s Bellows, Deception Island, Paradise Bay, Elephant Point. Two weeks here and you’re left feeling delightfully insignificant. After all, in the presence of such great beauty it’s impossible to feel anything but small.

Entering Mikkelsen Harbour, with its amphitheater of ice cliffs, or sailing through the seven-mile-long Lemaire Chanel, affectionately called ‘Kodak Alley’ in the days when film cameras reigned supreme, you understand how powerful ice and reflective surfaces can be. For harsh beauty there’s Pleneau Island - an iceberg graveyard. With nowhere to travel and harassed by the elements, these bergs take on phenomenal shapes and hues, proving that nature is the ultimate sculptor. When greeted with such sights and stunned to the point of silence, it’s lovely to remember that all we have to do in this world is appreciate it.

But be warned. Feeling humbled like this makes you act a little irrationally. You’ll agree to the oddest things. Like camping on the Antarctic mainland, tentless and armed with nothing but a sleeping bag and dubious looking foam pad. Under a sky that never darkens you quickly learn that there’s no way to get completely comfortable on ice and the sound of distant avalanches and exhaling whales leads to odd dreams.

Filled with awe and a love of all things wild, you leave this continent lighter than when you arrived and yearning for adventure. You’ll talk to the animals, sleep when it’s sunny and consider applying for a four-month stint at Port Lockroy. Clearly Antarctica makes blissfully cold fools of us all.

Visit: Aurora Expeditions and their stoic Polar Pioneer sail to Antarctica throughout summer. I promise the Drake Passage is worth it! http://www.auroraexpeditions.com.au/

This article first appeared in Yen Magazine. 

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Welcome to Lodestars Anthology

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Welcome to Lodestars Anthology, a magazine for curious travellers who long to see, eat around, chat about and experience this big ol’ world of ours. Basically, we’re a magazine-meets-journal all about place, travel and exploration - one you’ll ideally like to keep atop a coffee table. Or filled with scribblings and safely stored in your suitcase.

We are independently published, distributed internationally and all set to explore the globe one country (or should that be one issue) at a time. With the first magazine due out in summer 2014 things are getting a little exciting around here.

So go on. Pack a bag, hit the road and get your discovery on.

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Photo by Tommy Harrison.