The Chaos Older Still

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Rome-4to Rome

to Rome, la città aperta

The light here is ancient, the chaos older still— buzzing across the Appian Way, but one of the every that lead to the city eternal, suspended, you can hear her muffled roars, traces of a hungry mouth with frazzled mane a cracked throat craving aqueducts defunct, now long dry and thistle crowned. What could appear as more bereft than landscapes of rubble, marble stripped and sun burnt, awaiting still another ravaging? Yet therein is her secret held: there remains in these fabled ruins, bequeathed to us as though our coming had been foretold, a quivering palpable beneath the footfalls of our approach waiting to be given voice and body— for a city is never completed, only inherited.

Poem by David Warren Grunner and Photographs by Nic Rue.

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Tom Bunning

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Death Valley - Photographed by Tom Bunning We met Tom Bunning in a coffee shop in South London where he greeted us with coffee and a portfolio. Understandably, we fell instantly in love with his photographed world, made up of etherial landscapes that play with light and scale and intimate portraits that capture the sitter's soul in the most artful way possible. We just had to chat to him about what makes his work so easy to get completely lost within.

What do you love about photography?

Where to start. I think I love a photo’s ability to transport the viewer: be it back to a special memory; forward to a place they’d love to visit, or to give a glimpse into a person’s mind. But in less romantic terms, I’m basically a lazy painter. If I found that wielding a paintbrush gave me as much immediate pleasure as taking a photo does I’d probably be trying to do that now, probably rather badly. For me the greatest pleasure right now is to be able to earn a living doing something that I love. Fingers crossed that continues. I also really enjoy seeing other photographers’ work. I feel part of a community of like-minded souls, all of us trying to create something meaningful or beautiful or interesting, using photography to try to make sense of our world.

Can you remember the first photograph you took?

I don’t think I can remember the first photo I took, but I can definitely remember an early view that inspired me to take pictures. I grew up in a very small village in Suffolk, our home was surrounded by fields and the view from my bedroom window was of a giant oak tree set in the centre of a field. All year round I’d watch the colours of the landscape change and in the summer the old proud oak would stand tall in the centre of a bright yellow square of rapeseed flowers, the small window providing a perfectly framed photograph in my mind’s eye.

What inspires your work?

My inspirations have changed over the years I’ve been growing - both as a photographer and as a person. When I seriously started trying to take pictures for a living I was working at Abbey Road Music Studios (it sounds glamorous but I was mostly in a dark room QCing music videos!) so my early work was definitely inspired by rock and roll. I had several great years of shooting live gigs, taking portraits of musicians and touring with bands, interspersed with fashion work, which I think went hand-in-hand quite naturally. In recent years I think I’ve become earthier, more inspired by the natural world if you like, and I think this change in personal perspective has affected what I’m inspired to shoot professionally. One of my current projects is entitled Crafted and is a series of photos documenting and celebrating those in Britain who make the small, the hand-crafted and the individual. I’ve always been interested in England’s landscape and heritage and I suppose Crafted is an extension of this interest, focusing in closer on the personal aspect of our environment. On the flip-side, as my commercial work increasingly takes me further around the world, I’ve been enjoying capturing foreign landscapes.

Death Valley - Photographed by Tom Bunning

How would you define your style?

I’m still developing as a photographer and my style will continue to change over the years but I like to think it’s honest, clean and simple. I don’t like to over-process or over-edit my shots and I always try to get what’s on the back of the camera as close to how I want it before it gets to the editing stage. Of course some clients know exactly what they’re after in terms of a feel or look of a shot and when that’s the case I think you have to find the balance between your personal style and their needs - always a challenge but a fantastic one. I recently had a great meeting with an agency and they described my work as having a ‘very gentle approach’ which was a lovely thing to hear.

Does travel influence your work in any way?

As I touched on above, it has done much more so recently. My commercial work over the last year or so has taken me around the world to all sorts of incredible places, from Seoul to Islay, from Vietnam to New York, Kuala Lumpur to LA, among others - although I should say that amidst all this excitement I’ve had many shoots in dirty parts of London to keep my feet on the ground! I think the thing about travelling for me is that as a full-time Londoner, living and working in the fast lane, being away gives me an opportunity to expand my view of the world and gives me time to see things I probably miss at home. Something that seems very ordinary to locals can look extraordinary through a foreigner’s eyes.

Death Valley - Photographed by Tom Bunning

Has there been a particularly memorable project either past or present?

I would have to say my ‘Death Valley’ series from earlier this year, wonderfully displayed here by your good selves! One of my current gigs is working with David Beckham and his team for Haig Club Whisky which has been an absolute pleasure. In the grey depths of January I flew to the sunshine state for a promotional shoot for Haig. The shoot was only for the day but it would have been rude not to make the most of it so my assistant Danny and I stayed out there for a week, hired a car and took a road-trip from LA to Vegas via Death Valley where I spent several days shooting a series of landscapes. An absolute dream trip. The colours and expanse of the landscape out there were so rich and photogenic and I’m really pleased with the results.

What is your dream subject?

That’s a tricky one. In terms of humans I love photographing interesting faces, be they young, old or in-between. I’d love to turn my lens on someone like John Hurt or Morgan Freeman but equally so on a sheep-farmer or a dress-maker. Landscape-wise I have a real hankering to go to Iceland. I don’t have much experience of working with such a cold clear environment and, having recently invested in the new PhaseOne IQ250, I’d love to get out there with it and see what I can capture. My ultimate goal is to bring the two main aspects of my work closer together, working on location to take portraits of interesting subjects, set in interesting environments.

Where can we see more of your work?

I’ve recently had my new book made, by Cathy Robert at Delta Design who’s done a wonderful job, so I’m in the process of making appointments with agencies. Much of my recent work is showcased on my site at www.tombunning.com. I plan to exhibit the Crafted series next year in London so look out for that.

Death Valley - Photographed by Tom Bunning

Death Valley - Photographed by Tom Bunning

Death Valley - Photographed by Tom Bunning

“You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.” ― Ansel Adams

Urban Jungle

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“I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.”― Truman Capote

In the UK the long weekend is rapidly approaching and with it the desire escape, the need to run away somewhere wild and alive and ever-changing. For three days at least. And on that front, there really can be no place better than New York. A thriving metropolis flourishing across the Atlantic, it calls to the brave and curious, those with a love of art, history, shopping and all that excites. Land of bagels, subways, Grand Central and the high line, you arrive in search of brownstone, cupcakes and Scorsese and leave with an appreciation of hot dogs and Bethesda. Here's to Big Apple dreaming (and the Brooklyn Bridge of course).

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“One belongs to New York instantly, one belongs to it as much in five minutes as in five years.” ― Tom Wolfe

Saara Karppinen

Saara Karppinen

The best thing about launching a travel magazine about place and people is that you cross paths with some immensely talented individuals with passions for paint, the unexpected and the world. London-based Saara Karppinen is one such person. We fell in love with her whimsical creations, all of which have a dream-like element and a distinct fondness for colour and material, meaning she was the perfect illustrator for our Scotland edition. We had a chat with the creative lass about her work, training and the joys of travel.

Saara Karppinen

Can you tell us a little about your training and artistic background?

I studied illustration at Camberwell College of Arts, where I learnt that the most important thing is to enjoy your work, and to always keep experimenting. It seems like a simple lesson, but it can be easy to forget. During university I did a lot of printmaking, mostly stone lithography. Though I’m not working with these techniques at the moment, they helped me to learn a lot about colors, how to build texture, and most importantly, patience.

How would you define your style?

I think everyone has their own natural style, and there isn’t really a need to ‘name’ it as such. Of course there are influences, but what I mean is that I’d rather focus on doing the work then analyzing what I’m going to call it afterwards.

What inspires your work?

I listen to a lot of podcasts, like Lea Thau’s Strangers, which is basically people telling stories about their lives. I’m interested by stories about people, but in my work I like to focus on a single moment. When I work, I imagine I’m painting the scene from the middle of a story, where you won’t know the beginning or the end, but you can get a sense of an atmosphere. So often, I will invent a story to go along with what I’m painting.

What do you love about your job?

Sometimes I can watch Buffy in the background while I work.

5) There is a certain innocence to your work - is this intentional and where does this come from?

I would say this is intentionally unintentional. I paint by what I call ‘working backwards’, which is painting on acetate so that the final image is the reverse of what I am looking at when I paint. In a sense, I keep myself in the dark from the final image, so that there are qualities that I can’t control. Sometimes I paint really small so that when I blow up the image the proportions are slightly odd and you can see all the fine brushstrokes and scratches. I try and work in a way where I am constantly surprised and allow ‘accidents’ to happen. I want my work to feel playful and a bit dynamic, which I guess is a kind of innocence.

Does travel influence your work in any way?

I grew up in five different countries, so I think it would be hard to sort out the start of the influence of ‘travel’ in any tangible way, but I’m sure it’s there. I’m interested in the natural curiosity people have when they travel, that kind of gentle wondering around and appreciating everything in a different way than you would in your own neighborhood. I have a lot of paintings of people and dogs just wondering around, which I suppose captures a bit of this sense.

Has there been a project (past, present or future) that you’ve particularly enjoyed?

I wrote and illustrated a comic for a competition which was supposed to be on the theme of ‘polar night’, but I got a bit carried away and it ended up being about some kind of space purgatory with dogs and 80’s starlets. Needless to say, the competition didn’t go so well, but I had so much fun with it. I think it was the first time I really worked with a long narrative, and I couldn’t really contain my enthusiasm.

What advice do you have for aspiring illustrators?

I spent a whole year trying to figure out what I thought ‘illustration’ is, and trying to adapt my work to suit this - whatever you do, don’t do this! The most important thing is that you enjoy your work, then other people will too. There isn’t much point in making work that you think is boring, because it will be so boring. And you don’t want to get stuck doing that.

Saara Karppinen

Saara Karppinen

Saara Karppinen

Saara Karppinen

Saara Karppinen

Scotland

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For the past few months we have been braving the elements and the dwindling daylight to explore Scotland, a wonderful country that's impossibly ancient, achingly beautiful and humbling in every possible way. A fickle friend when it comes to the weather and brimming with locals who take the notion of friendliness to a whole new level, it has been such a delight to get to know this place and its people. Below are just a few of the photos we've captured during our travels. For the complete set, the accompanying words, and a few illustrations you're going to have to wait until March when issue 2 of Lodestars Anthology is set to hit newsstands. Until then, enjoy the snaps, and, you know, invest in a shiny new copy of issue 1, all about glorious England.

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Tour Mont Blanc

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Tour Mont Blanc

Passing through Italy, France and Switzerland and circling the mighty peak that is Mont Blanc, the aptly named Tour Mont Blanc is one of the world's great walks. Passing scenes capable of inducing wobbly knees, a mix alpine cottages, glacial remains, snow capped mountains and valleys that stretch into eternity, the walk, which takes a week to complete, is for those predisposed to wanderlust. Aided by a mule called Coco and fuelled by a diet of bread and cheese (the wine would prove too heavy to carry), my own venture around the mountain has been etched into my memory - the thick forests, mirror-like lakes and towns abandoned by time are not something you ever really forget.

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Cornwall

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In honour of the arrival of issue 1 (our baby is finally here), we thought it just right to share some of the blue sky pictures of Cornwall we captured while visiting earlier in the year. To read about our epic road trip around the Cornish Coast be sure to grab a copy of the mag (available here), for now, please bask in the Cornish brilliance. There’s a lot to love in the West Country. Cornwall

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Antarctica

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some ice-covered corners of the world know how to get under your skin. Expansive and wild, Antarctica is a place where nothing exists but the moment. The rest of the world falls away and the urge to play Attenborough is un-suppressible. You’re guaranteed close encounters of the whale kind, a silence that’s only broken by calving glaciers and constant summer sunlight. Bliss really. Some Antarctic days are pure magic. Clear and calm, you’ll wake to an endless sky and mirror-like sea. Yet overcast days are not without their eerie charm. Low clouds and brooding skies have a remarkable ability to turn icebergs the most fluorescent shade of turquoise imaginable and prove that nowhere does desolation quite like Antarctica.

Uniquely stunning and a fickle friend (just ask Scott or Shackleton), this is a land where mountains move, history is defined by the brave and bizarre and you become besotted with the animals who call the world’s last true wilderness home. And the price of admission? Well, that’s surviving the Drake.

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Sail Away

Antarctica is reached by travelling to the end of the world, otherwise known as Ushuaia at the tip of Argentina, and sailing for two days through the Drake Passage; the planet’s most turbulent body of water. While the dreaded mal de mer isn’t the ideal way to start or end a holiday it’s all part of the experience… I suppose. There are ways of dealing with this crossing. Firstly, avoid whistling, it’ll only call up the wind. Secondly, don’t bring a banana on board, unless you wish to rattle a superstitious crew. Thirdly, don’t shoot an albatross. And most importantly, pick a good ship.

I sailed on the Polar Pioneer. Homely rather than luxurious, this ice-strengthened vessel is Australian run but crewed by 22 Russians who remain onboard for a year. Once you learn that it began its life with a brief stint as a Cold War spy ship and the crew occasionally smokes their fish in the engine room, falling in love with this trusty vessel is inevitable.

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Animal Encounters

Exceeding every expectation, Antarctica’s fearless wildlife has character aplenty. Stone-stealing Gentoo penguins (they’ve worked out that ‘borrowing’ stones from neighbouring nests is the easiest way to build their own) and wide-eyed Adelies make up for their lack of grace with loving determination. Creating ‘penguin highways’ in the snow that link their impossibly out of the way rookeries to the sea, these little guys waddle with purpose. All they want to do is belly flop into the water, despite an in-built fear of Leopard seals, to find food for their hungry, fluff covered chicks.

While penguin parental dedication is adorable, all sense of human normalcy is lost when a whale appears. Finding a humpback mother and calf sleeping on the surface of the water (rather appropriately termed logging) and watching as they wake, dive and re-emerge, barnacles and all, an arms length from your tiny zodiac is not an experience you quickly forget.

Although human visitors must stay at least five meters from all wildlife, no such rule applies to the wildlife itself. So, while you sit on a rocky beach, a safe five meters from a sun seeking Weddell seal, the only animal less graceful on land than a penguin, it won’t be long before a skua is nibbling your gumboot.

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Temporary Visitors

Apart from the National Geographic Explorer, the only signs of human life are vibrantly painted research huts. Mixing nostalgia and wonder, historic sites like the British Port Lockroy must be seen to be believed. Set up during WWII to listen to German Navy radio signals, the station now studies the effects of tourism on penguins. The only problem is that penguins don’t quite understand the idea of a scientific control area, even if it’s roped off, or that they themselves might be the control. All four Port Lockroy residents rely on visiting ships for fresh supplies and showers and run a small museum and post office – when not counting penguin chicks. Anything mailed from here takes at least two months to reach its final destination; ferried to the Falkland Islands, flown to England and then braving the UK postal system.

Argentina’s Brown Station is equally fascinating. It’s unmanned due to a lack of funding and the fact that a previous resident chose to burn down a large part of it rather than spend another year alone on the ice. Bright orange and perfectly preserved, fire damage aside, it sits at the bottom of a huge, snow covered mountain. From the top you can take in the most photogenic panorama around - ice floes and rolling white icebergs – and brave the ultimate bum slide down (i.e. tobogganing without the aid of a toboggan).

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Oh So Small

Antarctica is stunningly otherworldly. Even the safe havens along the Peninsula have names borrowed from fairy tales - Neptune’s Bellows, Deception Island, Paradise Bay, Elephant Point. Two weeks here and you’re left feeling delightfully insignificant. After all, in the presence of such great beauty it’s impossible to feel anything but small.

Entering Mikkelsen Harbour, with its amphitheater of ice cliffs, or sailing through the seven-mile-long Lemaire Chanel, affectionately called ‘Kodak Alley’ in the days when film cameras reigned supreme, you understand how powerful ice and reflective surfaces can be. For harsh beauty there’s Pleneau Island - an iceberg graveyard. With nowhere to travel and harassed by the elements, these bergs take on phenomenal shapes and hues, proving that nature is the ultimate sculptor. When greeted with such sights and stunned to the point of silence, it’s lovely to remember that all we have to do in this world is appreciate it.

But be warned. Feeling humbled like this makes you act a little irrationally. You’ll agree to the oddest things. Like camping on the Antarctic mainland, tentless and armed with nothing but a sleeping bag and dubious looking foam pad. Under a sky that never darkens you quickly learn that there’s no way to get completely comfortable on ice and the sound of distant avalanches and exhaling whales leads to odd dreams.

Filled with awe and a love of all things wild, you leave this continent lighter than when you arrived and yearning for adventure. You’ll talk to the animals, sleep when it’s sunny and consider applying for a four-month stint at Port Lockroy. Clearly Antarctica makes blissfully cold fools of us all.

Visit: Aurora Expeditions and their stoic Polar Pioneer sail to Antarctica throughout summer. I promise the Drake Passage is worth it! http://www.auroraexpeditions.com.au/

This article first appeared in Yen Magazine. 

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Welcome to Lodestars Anthology

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Welcome to Lodestars Anthology, a magazine for curious travellers who long to see, eat around, chat about and experience this big ol’ world of ours. Basically, we’re a magazine-meets-journal all about place, travel and exploration - one you’ll ideally like to keep atop a coffee table. Or filled with scribblings and safely stored in your suitcase.

We are independently published, distributed internationally and all set to explore the globe one country (or should that be one issue) at a time. With the first magazine due out in summer 2014 things are getting a little exciting around here.

So go on. Pack a bag, hit the road and get your discovery on.

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Photo by Tommy Harrison.